The unkown Beethoven - Works for violoncello & piano
Julius Berger & José Gallardo
CC 72504 - 0608917250428
Based on my in-depth research and the many clues – which can be elucidated here only in part – I concur with Harro Schmidt, the editor of the sheet music publication by Schott Music Mainz (1984). In his preface he writes: “Contrary to all the traditional timidity in attribution and doubts about authenticity passed on to us by musicologists – Riemann, Hess and Kinsky, for example – I regard it as proven that we have here an arrangement that was created and published under the composer’s own eyes in BEETHOVEN’S IMMEDIATE SPHERE OF INFLUENCE.”
Beethoven travelled to Prague, where he met Countess Josephine von Clary-Aldringen (1777 – 1828, married since 1797 as Countess Clamm-Gallas). She played the mandolin. Beethoven wrote several works for mandolin and piano for her; of these, four have been preserved arranged by the composer for violoncello and piano. Beethoven wrote for a mandolin tuned G-D-A-E, thus the transcription for violoncello presented no problem.
Already in 1990, Steven Isserlis edited the Variations WoO 44b for Violoncello for Faber Music Ltd., and Peters Verlag published a version of the Sonatina WoO 43a by the cellist J. Stutschewsky as early as 1931, although in D Minor, not in the original key of C Minor. I have chosen the arrangement in the original keys and as close to the original as possible.
Like Steven Isserlis, I believe that these works show “Beethoven at his most elegant”; they are miniature, refulgent jewels, which José Gallardo and I play with the greatest pleasure and success. (source: linernotes written by Julius Berger)
1807 erschien die Bearbeitung von Beethovens Streichtrios op. 3 aus dem Jahr 1794 in der Fassung für Klavier und Violoncello als op. 64 für Klavier und Violoncello. Beethoven Werke für Mandoline und Klavier übertrug Julius Berger für diese Instrumente. Beide äußerst reizvolle Bearbeitungen sind auf dieser CD vereint. Berger spielt eines der ältesten Celli der Welt, das Violoncello Andrea Amati aus dem Jahr 1566 - ?Känig Charles IX.? und ist Professor für Violoncello und Kammermusik am Leopold-Mozart-Zentrum der Universität Augsburg. Der argentinische Pianist Jose Gallardo lehrt ebenso dort seit Herbst 2008.
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1Sonata for piano and violoncello in E flat major, op. 64Allegro con brio11:34
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2Sonata for piano and violoncello in E flat major, op. 64Andante07:08
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3Sonata for piano and violoncello in E flat major, op. 64Menuetto: Allegretto03:42
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4Sonata for piano and violoncello in E flat major, op. 64Adagio09:48
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5Sonata for piano and violoncello in E flat major, op. 64Menuetto: Moderato02:55
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6Sonata for piano and violoncello in E flat major, op. 64Finale: Allegro07:07
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7Works for mandolin and pianoSonatine WoO 43a: Adagio05:52
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8Works for mandolin and pianoAdagio ma non troppo WoO 43b08:12
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9Works for mandolin and pianoSonatine WoO 44a: Allegro02:28
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10Works for mandolin and pianoAndante con variazioni WoO 44b09:39