L
César Franck

L'Organiste

Jan von Busch

AUD 7061817 - 0760623181721

Information GreatBrittain Germany

Passow, Hanstorf, Alt Bukow, Bülow, Vietlübbe, Biblow – the village churches of Mecklenburg- Vorpommern are home to carefully maintained organ rarities in the French style. Friedrich Friese, a highly gifted pupil of Aristide Cavaillé-Coll, built these instruments in the nineteenth century and did so with great care and individuality for each church. These organs equipped with only a few stops have not yet been documented in recorded form. Jan von Busch from Rostock now scores a first with a CD featuring César Franck’s cycle L’Organiste.
Friedrich Friese spent a mere two years with his mentor in Paris, but this short time marked him for life. From now on each of his more than one hundred organs followed Cavaillé-Coll’s principles. Most of the instruments from Friese’s workshop had only four to eight stops with a pedal attachment, but each of them forms a musical microcosm all of its own.

The French organ literature of the nineteenth century is rich in works for small instruments. Not all the compositions are as demanding as the cycles from L’Organiste including Magnificat settings of high art. This late work by César Franck is a tour of all the minor and major keys. Three major and three minor keys are sophisticatedly linked in each cycle. At the conclusion a short “Amen” is followed each time by a longer final piece assimilating the most important motifs from the preceding versets.

The Hamburg native Jan von Busch used the initial years of his career as a music and religion teacher in Schwerin to investigate Mecklenburg’s rich organ landscape. He focused in particular on artistic occupation with the factors represented by the historical instrument and the church space in which it is found. It is thus only natural that he has selected an organ with a disposition ideally suited to each piece for each part of César Franck’s collection. Passow, Hanstorf, Alt Bukow, Bülow, Vietlübbe, Biblow – the village churches of Mecklenburg- Vorpommern are home to carefully maintained organ rarities in the French style. Friedrich Friese, a highly gifted pupil of Aristide Cavaillé-Coll, built these instruments in the nineteenth century and did so with great care and individuality for each church. These organs equipped with only a few stops have not yet been documented in recorded form. Jan von Busch from Rostock now scores a first with a CD featuring César Franck’s cycle L’Organiste.

Friedrich Friese spent a mere two years with his mentor in Paris, but this short time marked him for life. From now on each of his more than one hundred organs followed Cavaillé-Coll’s principles. Most of the instruments from Friese’s workshop had only four to eight stops with a pedal attachment, but each of them forms a musical microcosm all of its own.

The French organ literature of the nineteenth century is rich in works for small instruments. Not all the compositions are as demanding as the cycles from L’Organiste including Magnificat settings of high art. This late work by César Franck is a tour of all the minor and major keys. Three major and three minor keys are sophisticatedly linked in each cycle. At the conclusion a short “Amen” is followed each time by a longer final piece assimilating the most important motifs from the preceding versets.

The Hamburg native Jan von Busch used the initial years of his career as a music and religion teacher in Schwerin to investigate Mecklenburg’s rich organ landscape. He focused in particular on artistic occupation with the factors represented by the historical instrument and the church space in which it is found. It is thus only natural that he has selected an organ with a disposition ideally suited to each piece for each part of César Franck’s collection.


Mecklenburgische Orgeln in der Nachfolge von Cavaillé Coll - Jan von Busch vervollständigt den Zyklus „L’organiste“ von César Franck

Französische Orgelmusik auf Mecklenburgischen Orgeln – Jan von Busch spielt auf Instrumenten von Friedrich Friese. Dieser war beim großen Aristide Cavaillé-Coll in die Lehre gegangen und baute Orgeln von herausragender handwerklicher Qualität. Friese gelang das Kunststück, die klangliche Ästhetik der großartigen symphonisch angelegten französischen Kathedralorgeln auf kleinere und kleinste Instrumente zu übertragen. Und so finden sich noch heute zahlreiche französisch inspirierte Orgeln in kleinen Dorfkirchen im Mecklenburgischen – darunter wahre Kostbarkeiten, die Jan von Busch hier mit drei weiteren Zyklen aus „L´Organiste“ von César Franck vorstellt.

Tracklisting
  • 1
    7 Pièces en fa dièse mineur et sol bémol majeur
    Air Béarnais (Andantino)
    01:22
  • 2
    7 Pièces en fa dièse mineur et sol bémol majeur
    Chant Béarnais (Poco allegretto)
    01:17
  • 3
    7 Pièces en fa dièse mineur et sol bémol majeur
    Andantino
    00:59
  • 4
    7 Pièces en fa dièse mineur et sol bémol majeur
    Poco lento
    01:20
  • 5
    7 Pièces en fa dièse mineur et sol bémol majeur
    Poco allegro
    00:54
  • 6
    7 Pièces en fa dièse mineur et sol bémol majeur
    Poco allegretto
    01:22
  • 7
    7 Pièces en fa dièse mineur et sol bémol majeur
    Amen (Moderato)
    00:15
  • 8
    7 Pièces en fa dièse mineur et sol bémol majeur
    Offertoire funèbre (Poco lento)
    03:57
  • 9
    7 Pièces en sol majeur et sol mineur pour le temps de Noel
    Poco allegretto
    01:13
  • 10
    7 Pièces en sol majeur et sol mineur pour le temps de Noel
    Vieux Noel (Poco lento)
    01:40
  • 11
    7 Pièces en sol majeur et sol mineur pour le temps de Noel
    Noel angevin (Allegretto)
    00:57
  • 12
    7 Pièces en sol majeur et sol mineur pour le temps de Noel
    Quasi lento
    01:40
  • 13
    7 Pièces en sol majeur et sol mineur pour le temps de Noel
    Noel angevin (Quasi allegro)
    00:48
  • 14
    7 Pièces en sol majeur et sol mineur pour le temps de Noel
    Allegretto vivo
    01:30
  • 15
    7 Pièces en sol majeur et sol mineur pour le temps de Noel
    Amen (Moderato)
    00:18
  • 16
    7 Pièces en sol majeur et sol mineur pour le temps de Noel
    Sortie (Allegro)
    03:56
  • 17
    7 Pièces en la bémol majeur et sol dièse mineur
    Poco maestoso
    01:34
  • 18
    7 Pièces en la bémol majeur et sol dièse mineur
    Allegretto amabile
    01:07
  • 19
    7 Pièces en la bémol majeur et sol dièse mineur
    Andantino
    01:31
  • 20
    7 Pièces en la bémol majeur et sol dièse mineur
    Andantino
    01:04
  • 21
    7 Pièces en la bémol majeur et sol dièse mineur
    Lento
    01:11
  • 22
    7 Pièces en la bémol majeur et sol dièse mineur
    Sortie
    04:13
  • 23
    7 Pièces en la bémol majeur et sol dièse mineur
    (ohne Bezeichnung)
    01:14
  • 24
    30 Pièces pour orgue ou harmonium (1855) (selection) (Organ Theatre Schwerin)
    Sortie. Maestoso
    05:44
  • 25
    30 Pièces pour orgue ou harmonium (1855) (selection) (Organ Theatre Schwerin)
    Grand Choeur. Allegro maestoso
    04:40
  • 26
    30 Pièces pour orgue ou harmonium (1855) (selection) (Organ Theatre Schwerin)
    Andantino. Calmato
    03:27
  • 27
    30 Pièces pour orgue ou harmonium (1855) (selection) (Organ Theatre Schwerin)
    Grand Choeur
    04:20
  • 28
    30 Pièces pour orgue ou harmonium (1855) (selection) (Organ Theatre Schwerin)
    Offertoire pour la messe de minuit. Lento
    04:48
  • 29
    30 Pièces pour orgue ou harmonium (1855) (selection) (Organ Theatre Schwerin)
    Pièce symphonique. Maestoso
    06:39
  • 30
    30 Pièces pour orgue ou harmonium (1855) (selection) (Organ Theatre Schwerin)
    Sortie. Maestoso poco Allegro
    04:13